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・ Messay Dego
・ Messaâd
・ Messaâd District
・ Messberg (Hamburg U-Bahn station)
・ Messe
・ Messe (Nuremberg U-Bahn)
・ Messe Berlin
・ Messe de la Pentecôte
・ Messe de Nostre Dame
・ Messe des pauvres
・ Messe des pêcheurs de Villerville
・ Messe Düsseldorf
・ Messe Erfurt
・ Messe Frankfurt
・ Messe für den Gründonnerstag
Messe I.X-VI.X
・ Messe München
・ Messe solennelle (Berlioz)
・ Messe Torhaus
・ Messe Wien
・ Messe-Prater (Vienna U-Bahn)
・ Messecenter Herning
・ Messed Around
・ Messed Up Kids
・ Messegelände
・ Messehalle, Innsbruck
・ Messehalle, Sindelfingen
・ Messehallen
・ Messehallen (Hamburg U-Bahn station)
・ Messei


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Messe I.X-VI.X : ウィキペディア英語版
Messe I.X-VI.X

''Messe I.X-VI.X'' is the tenth studio album by the Norwegian experimental collective Ulver and the Tromsø Chamber Orchestra with additional aid from composer Martin Romberg. Written and produced by Ulver, released on October 8, 2013, via Jester Records and Kscope. The album has been described as a "peace mass for Lebanon".
On September 17, 2013, a trailer was released, and on October 4, 2013 the track "Shri Schneider", was released for streaming via Pitchfork Media.
==Background==
The music was commissioned in 2012 by the Tromsø Kulturhus (House of Culture) in Norway, in a cooperation with the Arctic Opera and Philharmonic Orchestra cultural institution. It was composed and first performed live by Ulver, alongside the Tromsø Chamber Orchestra on September 21, 2012. The band then took the recordings back to Crystal Canyon, Oslo and spent winter and spring in post-production, honing the material for its studio-equivalent.
Six compositions altogether written and produced, recorded and mixed by Ulver, this time consisting of Ole Alexander Halstensgård, Kristoffer Rygg, Jørn H. Sværen and Tore Ylwizaker, with additional aid and advice from composer Martin Romberg who also arranged the music for the 21 members of Tromsø Chamber Orchestra. The album also features contemporary composers/musicians Ole-Henrik Moe and Kari Rønnekleiv.
The band named some of their influences for ''Messe I.X–VI.X'':
Opening song "As Syrians Pour In, Lebanon Grapples with Ghosts of a Bloody Past" was named after a news piece by Reuters concerning the flood of Syrian refugees into Lebanon following the ongoing Syrian Civil War. However, vocalist Kristoffer Rygg has stated: "This appropriation is not any more, or less, political other than an indication of concern. We live in troubled times. The song itself has a distinct Middle Eastern feel to it and coupled with sounds of vultures and war that title seemed both appropriate as well as contemporary. But we have no ideology for sale. Only our sadness."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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